Pra Pirap Yantra Cloth

The mystical Pha Yant Pra Pirab, a powerful deity and avatar of the Yaksa Hermit God, emerges from the ancient 2563 Wai Kroo Ceremony conducted by the revered Samnak Sak Yant Ajarn Kong Waet in Ang Tong, Thailand. Pra Pirab, a Yaksa Ruesi who traverses the realms of Vedic and Buddhist Cosmological Mythology, reigns as the Lord Yaksa Ruesi of All Astrologers. This awe-inspiring deity possesses inherent Maha Amnaj, the commanding power and influence, along with the potent Gae Aathan and Serm Yos powers.

Pra Pirap Yantra Cloth

Pra Pirab assumes the role of a formidable guardian, guide, and protector for those immersed in the enigmatic Performing Arts Professions, including Musicians, Dancers, and Magicians. Moreover, Pra Pirab extends aid to individuals who have sought solace in other amulets but failed to receive favorable outcomes. It is believed that Pra Pirab can empower and unleash the magical potential of these amulets for those who struggle to harness their mystical properties.

Pra Pirab Yaksa Pha Yant Ajarn San Kong Waet


Displayed upon a colossal Pha Yant, meticulously inked in black on vibrant red cloth, the image of Pra Pirab takes form. Standing with one leg raised and wielding a spear-like lance, Pra Pirab emanates an aura of invincibility. The cloth surrounding the deity’s image teems with an intricate tapestry of Sacred Yant (Yantra) spells and Sacred Na, brimming with Buddhist blessings, invocations, and secret incantations that summon the Yaksa Asura Demi-Gods. These enchantments command the assistance and protection of these celestial beings, clearing the path to success by swiftly removing obstacles and vanquishing adversaries.

The majestic Pha Yant, created with black ink on crimson fabric, bears the awe-inspiring image of Phra Pirab holding his spear/lance, standing with one leg raised. The surrounding surface of the Ynatra cloth teems with a multitude of Sacred Yant spells and Sacred Na. These sacred inscriptions contain Buddhist blessings, invocations of the Yaksa Asura Demi-Gods, and secret incantations that command their assistance and protection. With their aid, obstacles are swiftly swept aside, clearing the path to success.

Pha Yant Phra Pirap Yantra Cloth Ajarn San Kong Waet

Phra Pirab frequently graces the grand Wai Kroo ceremonies, serving as the official Mascot of the Wai Kroo of Performing Artists alongside other prominent figures in the celestial realm known as the ‘Duriya Taep,’ the Heavenly Devas of Performing Arts.

Ajarn San, a distinguished practitioner, inherited his Wicha from his erudite Grandfather, a knowledgeable Adept in Saiyasart who himself received Wicha from the venerable Luang Por Tuad. Ajarn San’s teacher was also a Sak yant Master, passing down this sacred knowledge. Furthermore, he acquired Wicha from his studies under the esteemed Luang Phu Hnay of Wat Ban Jaeng in Ayuttaya, and the Khmer Master Ajarn Bun, Luang Por Yib of Wat Bang Klang. Luang Phu Tammachote of Wat Kaay Ban Rajan Po Gai Dton and the lineage of Phu Suea Mahesworn, a renowned Outlaw turned revered Guru Monk, also bestowed their precious Wicha upon Ajarn San.
Pha Yant Pra Pirab

Phra Pirab manifests as a divine entity, embodying profound spiritual qualities and sacred attributes. Its countenance emanates a luminous divine light, adorned with ethereal shades of gold, dark purple, or glossy lacquer. Serenely enigmatic, its smile holds the secrets of wisdom, while its eyes, reminiscent of the ancient crocodile, bear profound insight. The teeth, gently rounded or intricately carved, symbolize a serene strength. Its venerable head, devoid of hair, signifies a transcendental detachment from worldly attachments.

In the realms of Vajrayana and Mahayana Buddhism, Phra Pirab manifests with numerous faces and countless hands, sometimes appearing with fifty-one faces and a hundred hands, all harmoniously engaged in divine activity. Its celestial form radiates an aura of spiritual power, standing amidst the sacred takinawat band, symbolizing its transcendental presence.
A Host of Sacred Yantra on the Pha Yant Praq Pirap

Originally known as Pra Bhairava, Phra Pirab represents a fierce incarnation of the great Shiva. As the profound teachings of Shiva, Narai, and other divine beings journey

Originally known as Pra Bhairava, Pra Pirap represents a ferocious incarnation of the great Shiva. When the profound teachings of Shiva and Narai, along with other divine beings, were introduced to the land of Thailand from India, Pra Bhairava was also revered and embraced. However, as the teachings merged with the local culture, the deity’s name gradually transformed into Pra Pirap, gaining prominence as the supreme master in both the realms of dance and music. Historical records from the Sukhothai period and the reign of King Chulalongkorn bear testament to this divine presence.

The sacred idol of Pra Pirap

Enshrined within its form are the blessings of “Pu Ong Pra Pirap,” the revered teacher, whose wisdom and grace lead seekers to the path of success Within this sacred manifestation. Pra Pirap is revered as an exalted teacher, a divine god, and a colossal being (an Avatar of Siva). However, due to the similarity of its name to a character from the Ramayana epic, Yak Virath, who is also portrayed as a colossal figure, the Supreme Patriarch and the character sometimes become conflated, leading to confusion.
Pra Pirab Yaksa Pha Yant Ajarn San Kong Waet

The Fine Arts Department has undertaken the noble task of documenting the history of Pra Pirap, publishing scholarly works, and disseminating knowledge to foster a deeper understanding among the masses. Yet, the comprehensive awareness and understanding of this deity remain a relatively uncharted realm in the realm of general knowledge.

A Host of Sacred Yantra on the Pha Yant Praq Pirap

Pra Ajarn It Blessing Taw Waes Suwan

The Legendary Taw Waes Suwan Amulets of Wat Jula Mani

The Taw Waes Suwan amulets, and the Wicha Taw Waes Suwan,  of  Wat Jula Mani, span over many decades, and various abbots, surviving in its powerfu magical tradition through passing down of the magical lineage inheritance to subsequent abbots. From Luang Phu Chaem to Luang Por Nueang, and on to Pra Ajarn It. The Taw Waes Suwan amulets of Wat Jula Mani are hence an ongoing legend, that has sustained National popularity right up to the present day, and shows no sign of diminishing at any time soon.

In fact, as the pantheon is so well documented each year, making it easy for students to authenticate and study about the details of each edition, this has made the edition of course popular with seruous aficionados and students and devotees, for this is a sign that the amulets will have a long future, and can only become more valuable as time passes. Amulets which have a very clear and accepted documentation that is extensive and complete, always makes those amulets nore valuable, for the documentary evidence that supports them, prevents any kind of forgery.

Luang Por It (more commonly known as Pra Ajarn It), of Wat Jula Mani, are perhaps the most popular Taw Waes Suwan amulets of recent time, revered nationally around Thailand. Taw Waes Suwan Jiw Nuea Loha Rom Dam 2565LP It Wat Jula Mani

Above; Taw Waes Suwan Jiw Nuea Loha Rom Dam 2564 BE LP It Wat Jula Mani

Thai Buddhist Devotees around the country hold the Taw Waes Suwan Coins and Loi Ongk Statuettes of Pra Ajarn It, as being extremely powerful, and that they hold the continuance lineage magic transmitted down from Kroo Ba Ajarn of the Wicha; Luang Por Nueang, passed on through Pra Ajarn It.

Below, Rian Taw Waes Suwan Long Ya Daeng 2545 BE Wat Jula Mani

Rian Taw Waes Suwan Pra Ajarn It

Pra Ajarn It, was the prime Looksit and student in magical Wicha to the great Luang Por Nueang, olden days Master and previous abbot of Wat Jula Mani. He received many Wicha from LP Nueang, including of course, the Wicha Taw Waes Suwan, and, Wicha Takrut Bailan, Wicha Takrut Loo Om Lokatat, and of course, the Wicha Yant Duang Pra Uposot.

Phaen Yant Duang Pra Uposot

YouTube player

Luang Por Nueang himself was transmitting the Lineage Wicha he had received from Kroo Ba Ajarn Luang Por Kong of Wat Bang Gaporm, Luang Por Chaem of Wat Jula Mani, and Luang Phu Jai, of Wat Sadet, all of whome bestowed their Wicha into LP Nueang’s Ccompendium. LP Nueang in turn passed these Wicha down to Pra Ajarn It, who is at time of writing (Feb 24th 2023) the current abbot and Lineage-Transmission Wicha Holder.

Pra Ajarn It Wat Jula Mani

YouTube player

The Taw Waes Suwan Amulets of Pra Ajarn It are released almost without fail each year, due to the fact that every edition sells out and depletes within a few months of release. This is because the amulets are not only popular for their reputed magical power to attract wealth, and protect aganst black magic and demons, but also, because they are considered master-class collectables, which increment in value over time, at a very fast rate, and become rarities. Many collectors love to collect each year’s editions, and so, at least half of all amulets are usually already pre-reserved before even the blessing ceremony.

Below; Taw Waes Suwan 2562 BE Edition Wat Jula Mani

Taw Waes Suwan Wat Jula Mani 2562


This is a little bit similar to what happened with the amulets of Luang Por Sakorn, which were always snapped up immediately upon release, by those in the know, and now they are hardly to be found anywhere on the marketplace. Pra Ajarn It’s amulets are equally rappidly snapped up, and it is very hard to collect every edition, for they are both rare to find, and also, not cheap even on release day at the temple.

Below; Taw Waes Suwan 2558 BE Edition Wat Jula Mani

Taw Waes Suwan Wat Jula Mani 2558

YouTube player

The rarity of  the Taw Waes Suwan amulets of LP It, is not only due to their magical powers, but also because many amulets fall into the possession of speculative investors, in the amulet trade. They buy amulets and wait some years, until the amulets become ultra rare, and acquire a higher value, and then they begin to release them. The Wicha of Wat Jula Mani continues to this day with Luang Por Nueang’s Looksit, and current Abbot Pra Ajarn It, whose famous Taw Waes Suwan Asura Deva amulets are considered amongst the most powerful and collectible to be found in the present day.

YouTube player

Kala Ta Diaw Lanna Amulets Kroo Ba Dtu Ing

Presenting a Special series of limited edition Jumbo Size Masterpiece Hand Made amulets in Kala Ta Diaw 1 eyed coconut shell, from Lanna Monk Kroo Ba Dtu Ing, of Wat Intrataep in Chiang Mai. The amulets of this extreme limited hand made series, were made from a small number of one eyed coconuts, which are extremely rare (1 in 100,000 or less), in the form of various Lanna Popular Deities, including Pra Rahu, and Paya Khao Kham (Lanna style Khun Phaen/Paetch Payatorn).

The Naturally Imbued Power Within One Eyed Coconut Shell

Kala Ta Diaw (one eyed coconut shell), is a highly sacred and powerful substance in Thai Sorcery, with power of Maha Pokasap Wealth and Treasure Attraction. Gae Aathan Anti Black Magick, and Kong Grapan Maha Ud Protective Power. Just the substance itself is said to possess extreme magical power, even without blessing or empowerment by any sorceror or monk.

Paya Khao Kam

Paya Khao Kam Nuea Kala Ta Diaw Gae Kroo Ba Dtu Ing

Paya Khao Kam Nuea Kala Ta Diaw Gae Kroo Ba Dtu Ing

Paya Khao Kam Golden Horned Maha Sanaeh Seduction Demon amulet, released by Kroo Ba Dtu Ing imbued with the powerful Wicha Paya Tae Krua Maha Sanaeh. This Paya Khao Kam Pim Jumbo size Ongk Kroo amulet is hand carved from Nuea Kala Ta Diaw, 1 eyed coconut shell, considered a very powerful substance for Maha Ud, Ud Sap, Maha Pokasap, and Maha Lap.Pure Wicha Thai Lanna Northern Sorcery. Filled with a mass of powerful magical substances in the rear face.

Paya Khao Kam, often called the ‘Lanna Khun Phaen’. or Lanna ‘Golden Horns’ Deva, in hand carved hand painted one eyed coconut shell, filled with Muan Sarn Maha Sanaeh Powders, 2 In Koo statuettes, 3 pieces of Chin Aathan Bone Pieces 14 Ploi Sek Maha Pokasap enchanted wealth attracting gemstones (2 in front face, 12 in rear face), and a small Glass Phial of Nam Man Prai Tang Glom Necromantic Serum inserted in the rear face from Kroo Ba Swatu Jao Ing (Pra Ajarn Rit Chai), otherwise lovingly known by the Lanna style Monk’s Nickname of ‘Dtu Ing’, of Wat Intra Taep in Chiang Mai (Wat In Taep).

The front face features a Northern Lanna Style carved image of Paya Khao Kham Golden Horned Seductive Demon Deity, an ancient Animist Deity of the Thai Lanna Sorcery Tradition surrounded by his ubiquitous entourage of beautiful Maidens. As Lord and Master, Paya Khao Kam is full of Maha Amnaj (commanding power and influence) over his entourage.

Closeup Image of Paya Khao Kam Kroo Ba Dtu Ing

Closeup Image of Paya Khao Kam Kroo Ba Dtu Ing

This large Ongk Kroo Paya Khao Kam amulet is an extreme limited series Ongk Kroo Masterpiece Version amulet, hand carved and embellished with exquisitely detailed colored front face, with 2 red Ploi Sek Gemstone inserts. The amulets were released in a small limited edition of traditional Lanna Amulets, which adhere to the Ancient Wicha Lanna Methods of Creation and Empowerment, including an extensive invocation of the Wicha Paya Tae Krua..

The rear face has two In Koo Devas of Love statuettes, three pieces of Necromantic Chin Aathan bone pieces of a Hoeng Prai Ghost, 2 Takrut Spells and 12 Ploi Sek Maha Pokasap Gemstones inserted into Black Maha Sanaeh Sacred Powder Muan Sarn, which is highly resinous through the mixture of herbal saps and prai oils.

Closeup Image of Rear Face of Paya Khao Kam Kroo Ba Dtu Ing

Closeup Image of Rear Face of Paya Khao Kam Kroo Ba Dtu Ing

The Wicha In Koo can also be invoked using Kata, to increase Maha Sanaeh within the amulet.

Pra Kata for Bucha and Synopsis of the In Koo Lanna Amulet.

The Paya Khao Kam is the Pra Khun Phaen Paetch Payatorn of the Lanna tradition). Paya Khao Kam is traditionally pictured in Lanna Mythology as a Man dressed in full rich regalia with a crown bearing two golden horns of plenty. He is embracing a harem of Attractive Ladies.

 

The rear face of the one eyed coconut shell is filled with powerful Muan Sarn Sacred Powder admixture with 2 Takrut Spells and 12 Enchanted Wealth Attracting Gemstone spells, with twin In Koo Devas of Love statuettes, 3 pieces of Necromantic Chin Aathan Bone pieces from a Hoeng Prai Deva who was Lucky in Gambling and became Rich, and a small glass phial with green Nam Man Prai Tang Glom Necromantic Serum Inserted into the sacred Muan Sarn clay.

The Paya Khao Kam, is a powerful Seduction and Mercy Charm, known for its power to possess many lovers and keep them all happy and fulfilled, to attract admirers, customers and friends. It is highly reputed for its Maha Lap and Maha Pokasap powers. This is of course a reminiscently similar imagery and indeed, similar magical effect as the Khun Phaen Jet/See Nang Lorm Wicha, which also features a Virile Successful Wealthy man (Khun Phaen) of Great Status and Power, encircled by Lovely Maidens.

 

Kroo Ba Dtu Ing empowered the amulets with the Wicha Paya Khao Kam, and Wicha Khun Phaen Paetch Payatorn. The Wicha invokes immense Maha Sanaeh, Jerajaa, Kaa Khaay, Metta Mahaniyom, Maha Lap, Siang Choke, and Maha Pokasap power, for seductive attraction, Mercy Charm, Convincing Speech, Selling Power, Lucky Fortunes in Life and with Gambling, Lottery or Speculative Market Investments, and Status with Treasure Accumulation

 

The Paya Khao Kam, is a powerful Seduction and Mercy Charm, known for its power to possess many lovers and keep them all happy and fulfilled, to attract admirers, customers and friends. It is highly reputed for its Maha Lap and Maha Pokasap powers. This is of course a reminiscently similar imagery and indeed, similar magical effect as the Khun Phaen Jet/See Nang Lorm Wicha, which also features a Virile Successful Wealthy man (Khun Phaen) of Great Status and Power, encircled by Lovely Maidens. Thai Lanna Sorcery is a subject you can read about in Ajarn Spencer Littlewood‘s Epublication ‘The Book of Thai Lanna Sorcery

 

Kata Paya Khao Kam(Paya Tae Krua)

 Pra Rahu Kala Ta Diaw

This large Ongk Kroo Pra Rahu amulet is an extreme limited series Ongk Kroo Masterpiece Version amulet, hand carved and embellished with exquisitely detailed colored front face, 4 Takrut Spells and 8 Ploi Sek Maha Pokasap Gemstones inserted into Black Maha Lap Sacred Powder Muan Sarn in the rear face

Pra Rahu Kala Ta Diaw Ongk Kroo Carved 1 Eye Coconut Shell Asura Eclipse God 4 Takrut 8 Ploi Sek Gems Kroo Ba Dtu Ing

Pra Rahu Kala Ta Diaw Ongk Kroo Carved 1 Eye Coconut Shell Asura Eclipse God 4 Takrut 8 Ploi Sek Gems Kroo Ba Dtu Ing


The front face features a Northern Lanna Style carved image of Pra Rahu Asura Deva, swallowing the moon/sun (Eclipse God). The rear face of the one eyed coconut shell is filled with powerful Muan Sarn Sacred Powder admixture with 4 Takrut Spells and eight Enchanted Wealth Attracting Gemstone spells inserted into the sacred Muan Sarn clay. If you feel that your Fate and Horoscope is not Auspicious, then it could be that Pra Rahu is interfering. You can solve this problem by making Bucha offerings to Pra Rahu every Wednesday; Light 10 black incense sticks (‘Toop’ in Thai), and five types of black offerings (e.g. black sticky rice, black jelly grass drink, black semolina or sago pudding and the like).
Black Food Offerings to Pra Rahu

Black Food Offerings to Pra Rahu

Kroo Ba Dtu Ing (Pra Ajarn Rit Chai), is an up and coming Lanna Master who is in his early era of his magickal trajectory, and is continuing the Lanna Wicha Magickal Sorcery traditions and Formulas of his Kroo Ba Ajarn of the Lineage of Wat Intra Taep, and his other Lineage Masters.

Pra Ajarn Gorp Chai Lunar Eclipse 150th Anniversary Wat Mae Ya Edition Amulets

Presenting some Extreme Limited Edition Hand Inscribed and Individually Empowered Meed Haek Wicha Lanna Spirit Knives and Pra Rahu Kala Ta Diaw One Eyed Coconut shell carved Eclipse God amulets, from Pra Ajarn Gorp Chai Wat Mae Ya. These extreme limited edition Traditionally Amulets are inimitable in the present Era and can only be most highly recommended for their authentic creation and empowerment methods, and traditional preservation of the Ancient Northern Wicha Saiyasart Lanna.

Speaking of the Meed Haek (Lanna name for Mitmor), they are composed of Forged blades with Hand carved Khao Kwai Phueak Hilt Ritual Spirit Knife amulets, have been made in the ancient northern traditional style of Thai Lanna Sorcery, which has been practiced for centuries by the northern hill-tribe peoples in the bordering areas of Thailand, Burma, Laos, Vietnam and Cambodia. Blessed in special occasion after three months of Traimas empowerment, with Final Blessing on Lunar Eclipse on the 150th Anniversary of Wat Mae Ya Temple

The amulet features a small ‘Ito’ style hatchet shape blade with hand inscriptions of Agkhara Spells, which is inserted into a hand carved hilt made from albino buffalo horn Please Note, due to the hand made nature of these amulets, each amulet has slight differences. The amulet received, may differ slightly from the one in the image, but will be of equal power, quality and authenticity.

 

This edition included these special old school Lanna Meed Haek, and an extreme limited edition of 105 hand carved and inscribed Pra Rahu Asura Deva amulets made from the incredibly rare one eyed coconut shell, which were blessed along with the Meed Haek on the 150th anniversary night of Wat Mae Ya, which coincided with a Lunar Eclipse, making this a very powerful combination of auspicious alignments for empowerment of this edition.

Meed Haek and Mitmor ritual knives are used for Bucha to pray to for Blessings, but are also a kind of Magic Wand, Sceptre of Command over Spirits and Ghosts, and a Weapon to Banish Evil Spirits and Nullify Curses. Mitmor are used by the Masters to perform Inscriptions on the devotees, or upon inanimate objects, to invoke magical spells and bestow blessings.

Below; Pra Ajarn Gorp Chai inscribing Pra Rahu Kala Ta Diaw amulets and the Meed Haek during a Lunar Eclipse on the 150th anniversary of Wat Mae Ya temple.

When speaking of the Pra Rahu Kala Ta Diaw of this edition,  we see an extreme Limited Edition Hand Inscribed and Individually Empowered Pra Rahu Kala Ta Diaw Wicha Lanna from Pra Ajarn Gorp Chai Wat Mae Ya. These extreme limited edition Hand carved one eyed coconut shell Rahu Asura Deva Eclipse God amulets, have been made in the ancient northern traditional style of Thai Lanna Sorcery, which has been practiced for centuries by the northern hill-tribe peoples in the bordering areas of Thailand, Burma, Laos, Vietnam and Cambodia.. Blessed in special occasion after three months of Traimas empowerment, with Final Blessing on Lunar Eclipse on the 150th Anniversary of Wat Mae Ya Temple

Phra Rahu Kala Ta Diaw Amulet

Phra Rahu Kala Ta Diaw Asura Deva Eclipse God 1 eye coconut Pra Ajarn Gorp Chai

The amulet features Pra Rahu Om Jantr (Rahu eating the Moon) as a central figure. Sacred Yantra with Lanna Agkhara are embossed either side of the Rahu Deity. Paying Bucha to Pra Rahu is essential for turning ones Fate around in times of Trouble. Pra Rahu improves your Horoscope, and removes dark influences and Inauspicious Unlucky events. 

Phra Rahu Kala Ta Diaw Asura Deva Eclipse God 1 eye coconut Pra Ajarn Gorp Chai

In the Lanna Tradition, the ‘Mitmor’ Ritual Knife is known as ‘Meed Haek’. The word ‘Haek‘ means ‘To Scrape’, or to cause to split open wide. The Meed Haek, is generally considered to be a small portable, blunt rounded symbolic knife, that is found throughout Lanna Cultures. The Meed Haek or Mitmor can be used to stir prayer water whilst performing incantations for whatever kind of blessings one may seek to invoke, be they Kong Grapan Chadtri Klaew Klaad, Maha Lap Maha Pokasap, Jerajaa Khaa Khaay, or Metta Maha Niyom Maha Sanaeh. You can use Buddhist Prayers and Candles to perform Holy Water Making, and stir the water in a clean clear bowl with clean clear water in it.

 

Meed Haek is a very Prominent Protagonist in the Pantheon of ‘Krueang Rang Lanna Sastrawut’ Magical Weaponry Amulets.

Meed Haek Lanna

The Meed Haek and its Ritual Empowerment Methods are bound to the same methods of Sorcery used for making other kinds of magical weaponry, such as Ritual & Ceremonial Swords, like the ‘Dab Sri Ganchai’.

 

The Ritual methods used in their making are both highly complex, as well as varied, depending on the nature of the magic intended to be imbued within the weaponry, and the materials used to make it. Hilts and Sheaths can be made from Sacred or Precious Metals, Wood, or other natural Substances such as Horn, Ivory, Onyx or Lek Lai Kaya Siddhi elemental substance.

Blades are usually forged from metal using Alchemical Forging methods, but can also be seen to be made from other materials, such as the split Tusk of an Elephant, or a piece of Sacred wood.

Below: pieces of Khao Kwai Phueak albino Buffalo Horn for the carving of the magical hilts of the Meed Haek Akom Lanna of Pra Ajarn Gorp Chai, before preparation began

 

The making of Sacred Metals for forging into blades for Meed Haek, Dab Akom swords and knives, has a rigid set of rules and formulas for which kind of substances can be used. Metals are selected and chosen for their Sacred or Magical values. There are stringent ancient formulas, how they should be mixed and empowered as ‘Chanuan Saksit’.

‘Chanuan Saksit’, is a word used to refer to the Sacred metallic substance, which results from smelted artefacts, metallic elements and minerals. Pra Ajarn Gorp Chai chose to use one of the most powerful Buddhist Magical Metal Artefacts for his sorceror knives, the Tapu Sangkwanorn Ancient Shrineroom Roof Nails.

Below; Ancient Sacred Tapu Sangkwanorn Shrineroom Roof Nails from the Early Ayuttaya Era, used in the smelting of the Sacred Chanuan Muan Sarn for the Meed Haek Lanna.

Pra Ajarn Gorp Chai is the continuing lineage practitioner of the Wicha of Luang Phu Kroo Ba Ban (Wat Mae Ya), through Kroo Ba Wang (Wat Ban Den), and is a Lanna Monk who has continued the Wicha of Kroo Ba Wang through the Lineage of his Kroo Ba Ajarn in the most diligent fashion, as well as increasing the spells within the repository of grimoires at Wat Mae Ya.

Below; The Tapu Sangkwanorn are beaten into flat shape on the ritual wooden pedestal for shaping into the traditional Ito Meed Haek shape blades and heating again in the forge

Below; Hammering the Tapu Sangkwanorn into the shape of flat metal blades in preparation for the forging of the Meed Haek

Hammering the Tapu Sangkwanorn into the shape of flat metal blades in preparation for the forging of the Meed Haek

He has performed every stage of the alchemical metallurgy processes and ritual methods of creation of these Meed Haek Lanna, through his own immense efforts and insistence on personal attention to every step of the process.He has expanded the magical repository of knowledge of his Lineage with his constant seeking, collecting of ancient Grimoires of Sorcery of the Thai Yai and other Lanna Folk.

This is a truly rare collection of Meed Haek (Mitmor) Rital Knives in Lanna Tradtiotional Old School style, which Pra Ajarn Gorp Chai performed all stages of the preparation of the sacred chanuan muan sarn metals for the forging of the magical blades, and for the carving of the Khao Kwai albino buffalo horn hilts. A very complex series of ritual preparations were necessary to create his Meed Haek and his Pra Rahu Kala Ta Diaw Amulets, of which only extreme limited numbers were made (105). The Meed Haek were alchemically forged using Tapu Sangkwanorn Uposatha Roof Nails from Ancient Temples of the Ayuttaya and Pre Ayuttaya Era.

Tapu Sangkwanorn are magical artefacts which are considered to be extremely powerful and magical substances, being leaden, they absorb the prayers and chants and meditative powers of the monks of centuries of morning and evening prayers and other ceremonies.

Pra Ajarn Gorp Chai Initiates the Ceremony during Lunar Eclipse

Pra Ajarn Gorp Chai is extremely proficient in the Wicha of Lanna Amulet making and in addition, a Master of Kata Akom and Agkhara Lanna Magical Script, and Sak Yant Thai Temple Tattoos.

Pra Ajarn Gorp Chai refuses to allow himself to be tempted to invent any modernisations, and maintains the integrity of the Northern methods of Lanna Sorcery. Below you can see him empowering some of his recently hand made amulets which he made specifically on request for Ajarn Spencer Littlewood (Proprietor of Thailand Amulets), for distribution to you our friends and customers.

He has expanded the magical repository of knowledge of his Lineage with his constant seeking, collecting of ancient Grimoires of Sorcery of the Thai Yai and other Lanna Folk. He is extremely proficient in the Wicha of Lanna Amulet making and in addition, a Master of Kata Akom and Agkhara Lanna Magical Script, and Sak Yant Thai Temple Tattoos.

Nor did the Ancient Masters have to accept to bless amulets which were mass made, and donated for blessing, rather, used their own precious time and efforts and Meditations to create and empower each amulet one after the other, passing through the hands and incantations of the Master one by one.

These days, it is truly difficult to find a Master who still uses this old-school method of personal applied Wicha and without assistance from third parties. Nor did the Ancient Masters have to accept to bless amulets which were mass made, and donated for blessing, rather, used their own precious time and efforts and Meditations to create and empower each amulet one after the other, passing through the hands and incantations of the Master one by one.

We feel that the amulets of Pra Ajarn Gorp Chai, are amongst the most highly recommendable, and authentically empowered, with the inimitable personal touch of the master. This is becoming ever harder to find in modern times. it is our duty to discover and present you with the best amulets with authentic Wicha, and this is the reason why Pra Ajarn Gorp Chai has become one of our top recommended present day masters.

Hand made limited edition authentically made and empowered Lanna Talismanic Charms like these, should be impossible to find in the present day, where most Masters have hordes of devotees to assist in the making of the amulets. Pra Ajarn Gorp Chai remains faithful to the olden days methods. We are blessed to be able to still find and obtain traditionally made olden days style amulets which have been given such diligent personal attention from the master in this present Era, through the Merits of Pra Ajarn Gorp Chai.

Below; Pra Ajarn Gorp Chai inscribes Pra Rahu kala Ta Diaw amulets during the Eclipse Nocturnal ceremony of empowerment

Pra Ajarn Gorp Chai Inscribes Amulets

We can but recommend the amulets of Pra Ajarn Gorp Chai most highly for this reason. Pra Ajarn Gorp Chai is a lineage master of Wat Mae Ya, following in the tradition of his Kroo Ba Ajarn, Luang Phu Thin (Current Abbot) and the Great Luang Phu Kroo Ba Ban.

Wat Mae Ya

Wat Mae Ya is the temple of the Late and Great Arya Sangha (said by his devotees to have attained Arahantship), Luang Phu Kroo Ba Bpan, who transmitted the Wicha of Kroo Ba Wang to Pra Ajarn Gorp Chai. Pra Ajarn Gorp Chai is continuing the Wicha and Traditional Amulet making of the Great Kroo Ba Ajarn; Luang Phu Kroo Ba Ban, the ex Abbot of Wat Mae Ya temple.

The topic of Meed Haek Lanna and Dab Akom Magical Ritual Swords and Blades is given a very detailed chapter in Ajarn Spencer’s 6th Buddha Magic Episode in the Ebook ‘The Book of Thai Lanna Sorcery’, from Buddha Magic Multimedia and Publications, also available on this website in the Publications section.

Use Buddhist Method of Bucha

Three Prostrations and Chanting of Maha Namasakara (Namo Tassa) 3 Times

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa, Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa, Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Then use Kata Ārātanā Pra Krueang


Pra Rahu Asura Deva

Pra Rahu Asura Deva, the God of Lunar Eclipse, is technically or advisably ,back in the limelight, because right now there are very heavy astrological influences upon the whole planet which are reducing peoples cash flow and ability to function properly, and manage their finances with flexibility. The heavens, advise strongly to increase Bucha to the God Pra Rahu or his equivalent, in order to clear away Karmic Residues amd the Heavy Influence of the Darker Astrological and Planetary Cosmic Forces upon Humans on Earth.

 

If there are any lunar eclipses occurring during this year of 2557 Buddhist era, these occasions should be used, to perform ritual Bucha to Pra Rahu. This is because, these occasions of the most powerful moments aligned to successful Sorcery and communication with the Asura Deva Pra Rahu.

If you feel that your Fate and Horoscope is not Auspicious, then it could be that Pra Rahu is interfering. You can solve this problem by making Bucha offerings to Pra Rahu every Wednesday;
Light 10 black incense sticks (‘Toop’ in Thai), and five types of black offerings (e.g. black sticky rice, black jelly grass drink, black semolina or sago pudding and the like).

Kata Pra Rahu

Idtipiso Pakawaa Pra Rahuu Sataewaa Samaa Winyaana Idtipiso Pakawaa Putta Sangmi

Kata Surya Buppaa (Kata to be chanted in the Day

Gusaedto Ma Ma Gusaedto-dto Laalaa Ma Ma Dtolaamo Tolaamo Ma Ma Tolaamo Ma Ma Tolaamodtang Haegudti Ma Ma Haegudti
Kathaa Jantrabupbhaa (Kata to be chanted in the night time)

Yadt-thadtang Ma Ma Dtangthaya Dtawadtang Mamadtang Wadtidtang Saegaa Ma Ma Gaasaegang Gaadtiyang Ma Ma.Gaadtiyang Ma Ma Yadtigaa

Kumarn Tong Yaks Noi Maha Pokasap – Asura Deva Baby with gold and silver moneybags.

These Kumarn Tong statues in standing posture holding sacks of gold and silver are black skinned baby Yaksa Demons, or, more accurately described according to the original Vedic texts; ‘AsuraDevas”.

Made and empowered by one of this year’s greatest and most famous masters of the Wicha Kumarn Tong, Luang Por Dam, of Wat Pra Puttabat Radtana Kiree.

The statues are made from some of the most powerful rarest and ritziest sacred Necromantic ingredients,and other  Muan Sarn Sacred Powders, of both necromantic and herbal origins. These particular kind of Kumarn Tong, are in Truth, something more than just a simple golden boy or Deva Kumarn. They are from a much higher realm, than those realms from where most of the ‘Kumarn Taep” Deva Kumarn Tong beings reside.

Kumarn Tong Yaks Noi Maha Pokasap Bucha Statue - Luang Por Dam, Wat Pra Puttabat Radtana Kiree

Kumarn Tong Yaks Noi Maha Pokasap Bucha Statue – Luang Por Dam, Wat Pra Puttabat Radtana Kiree

Asura Kumarn, live within the upper realms of the celestial heavens in the Jadtu Maha Rachiga Kingdom, which is ruled by the 4 great Asura Kings.

Kumarn Tong Yaks Noi Maha Pokasap Bucha Statue - Luang Por Dam, Wat Pra Puttabat Radtana Kiree

there are hardly any other masters in the present era, who can compete and compare themselves to the mastery of the great Luang Por Dam. It is very special, to find this kind of empowered statue, with the spirit of an Asura Deva Being dwelling within, which emits the magic of Kumarn Tong, and has the immense  Merits and Supernatural powers of the Asura Devas.

Filled in a romantic substances within the base of the statue

The Kumarn Tong Yaks Noi Maha Pokasap (nick-name for this particular release), is not only empowered with the usual powers which are in any case , manyfold, that people know to be attributed to the Kumarn Tong. This particular statue is also empowered with great commanding influence, or as we say in Thai language; ‘Maha Amnaj”. 

Kumarn_Tong_Yaksa_Demon_statue.JPG

Statue stands 6 inches hgh

It has the power to ward off and send away any Demons are dark spirits or lesser goal which may approach and is an excellent wealth increaser and protector of the household. They don’t need praying to often so they can get naughty if neglected.

 

The statue holds a sack of silver and the second goal in the towns and is standing very confidently in his wealthiness

The statue holds a sack of silver and gold in his hands, and is standing very confidently in his wealthiness

For those who worship the Taw Waes Suwan Asura Deva, Pra Pirab Asura Deva, or other similar deities of the same realm which are higher commanding officers of the Jadtu Maha Rachiga Heaven, then these devotees will benefit the most from the use of this statue, as a chosen item of worship and beseeching blessings.

Taw Waes Suwan Gae Pi Chong 2555 BE edition loi ongk statuette amulets by Luang Por Foo Adtipatto of Wat Bang Samak. Comes with special decorative casing included.

Released in a series of  Taw Waes Suwan amulets made in various sacred and precious metals, blessed and empowered by the great Luang Por Foo. Luang Por Foo is one of Thailand’s Top 5 living masters for the empowerment of Taw Waes Suwan.

This edition arose because of a good deed of Luang Por Foo; one day some people brought a small boy who was behaving very insanely as if possessed by a demon or ghost, and presented him to Luang Por Foo. Luang Por then placed a Taw Waes Suwan amulet on a chain around the boy’s neck. The family then went home, and it appears that the boy was instantly and completely healed. He could sit and talk normally as before. Because of this, the local devotees heard of the story, and flocked to the temple to beg Luang Por for a new edition.

The edition was thus made from public demand. Funds from this edition go to the various projects for the preservation and spreading of Buddhism, and to maintain Buddhist temples in need of restoration. Each different type of model in different metals has an official numbered code stamp and a recorded number of amulets made in official documentation, rendering this as yet another reference standard edition from Luang Por Foo to add to his documented catalog of amulets. The edition also celebrated Luang Por Foo’s 90th year of life.

‘Gae pi chong’, the name of this edition, means to rectify the karmic and lucky influences of the yearly horoscope for those who have pi chongPi chong is the year when one’s starsign falls  into inauspicious influences and bad luck sets in, obstacles arise, and money becomes scarce.

The amulets were made in the following materials:

Nuea tong rakang boran nai nam rerk masterpiece version – ud pong fang takrut tong kam 2 dork (sacred ancient temple bell brass alloy with high gold content, from the ‘Nam Rerk’ first casting ceremony, with sacred powders and two solid 24 karat gold takrut in base) – 99 amulets made.

Nuea nava loha ud pong fang takrut ngern 1 dork (nine sacred metals with powders and one silver takrut in base) – 999 amulets made.

Nuea galai tong ud pong (gold plated sacred bronze with magical powders in base) – 1999 amulets made.

Nuea galai ngern ud pong (sacred silver alloy with magical powders in base) – 1999 amulets made.

Nuea tong rakang ud pong fang takrut ngern 1 dork  (sacred brass alloy with sacred powders and one silver takrut spell inserted) – 3999 amulets made.

Nuea samrit ud pong fang takrut ngern 1 dork (sacred bronze alloy with sacred powders and one silver takrut in base) – 3999 amulets made.

 

Luang Por Foo performed the pouring of the sacred metals in the official casting ceremony (‘Piti Tae Tong Nam Rerk’) and performed his incantations and special blessings during the ceremony, which consisted of nine chor trees of amulets, with 900+ amulets on them, for the special blessing of the ‘Nam Rerk’ ongk kroo special masterpiece versions. He then stuffed muan sarn powders into them during the ceremony (the other models were done before the ceremony). Luang Por then inserted a solid gold takrut spell into the muan sarn powders within the ongk kroo versions.

Pra Ajarn Hnong performed the inspection and counting of the amulets after their final insertion of takrut. Not many amulets were possible to fill with powders, because the powders were a special sacred powder kept from the 2538 BE ceremony (17 years before the release of this edition). So there were less amulets in final release as originally intended.

These amulets also enjoy the addition of special powders from the great Luang Por Ding, and very sacred metal alloys cast from a mass of important sacred amulets of past editions and masters, real solid silver and solid gold takrut, and a highly sacred Putta Pisek Taewa Pisek empowerment ceremony. These varied elements provide this edition with a highly respectable status, top quality design and casting, and powerful Buddha magic within them.

The Putta Pisek Taewa Pisek blessing was held on the 14th of October 2555 BE. Luang Por Foo performed the lighting of the tian chai victory candle, and the pouring of the first casting. In addition to the amulets, a 15 inch high bucha statue was also released in this edition.

Luang Por said afterwards, that it has been many years since he has attained such a powerful and accomplished invocation and insertion of the heart mantra and mind of the Taw Waes Suwan asura deva into the amulets. He says it is the first time he has managed to make all the powerful lineage aspects of the ritual empowerments be performed to their fullest, be it the use of muan sarn powders of his lineage masters, the yantra within the takrut, the casting and blessing ceremony, and the necessary requirements for the making of the sacred metals. All facets of the wicha were performed according how the ancient wicha dictates.

The amulets come encased with special decorative casing, ready for wear and bucha.

Luang Por Foo’s mastery of the wicha ‘Suun Phii Lai Phii’, and his adept control of the kata ‘Pra Jao Sip Hok Pra Ongk’ (16 Buddhas invocation) is legendary. He is the most prominent disciple of the great Luang Por Ding of Wat Bang Wua. He has mastered the methods of empowerment and invocation to imbue amulets with the mental powers and qualities of the asura deva king Lord Waes Suwan.

His importance and connection with this kind of Buddha magic is so great, that he was begged to preside over last year’s great classic edition of Taw Waes Suwan statues in the ‘Tri Plab Pela’ (three legged Taw Waes Suwan) series. These statues are considered to be the next greatly admired edition by future generations, comparable to the most famous of all; the Wat Sutat Taw Waes Suwan amulet of Jao Khun Sonti.

Taw Waes Suwan is the lord and master of all monsters (asura and yaksa), demons and ghosts. The wealthy king is a millionaire of great status, the wealths of all the four asura kings of the ‘Jadtu Maha Rachiga’ celestial heaven. He commands and forbids the demons to stay away from his devotees, and those who are devotees of the Lord Buddha. He is the lord who brought the yaksa minions to hear the Dhamma sermons of Lord Buddha, and who converted the yaksa (or at least most of them) into devotees and followers of the Buddha.

Taw Waes Suwan also donated the magical incantation of the Aadtaanaadtiya Paritta to the bhikkhus (monks) in the forest, to protect them from demons and maras. The incantation of the kata forbids any demons or ghosts or malevolent presences from entering and bothering, and commands them to take their leave.

Luang Por Foo has released various editions of Taw Waes Suwan amulets over the years, along with his other famous wicha of the ‘Ling Jab Hlak’ / Hanuman amulet. His amulets have received constant interest and documentation by the collectors and expert amulet community, and are now published in their own books as documentations of his trajectory and amulet editions.

This is always a sign that a monk’s amulets are to become eternal collectible classics of high repute. This is because, apart from miracles occurring, the one other thing that makes an edition famous and collectible (and sometimes expensive), is whether the amulet has easy to find information about the making and various models, and identification marks, or not.

Above: the prequel ritual to invite the devas (‘piti anchern taewada’) performed by a Brahman with Luang Por Foo in attendance.

 

Kata bucha Taw Waes Suwan 

Idtipiso Pakawaa Yommaraachaano Taw Waes Suwanno

Maranang Sugkhang Ahang Sugadto Na Mo Puttaaya

Taw Waes Suwanno Jadtu Mahaa Raachigaa Yagkhapandtaa Pat Puradto

Waesa Pusa Puttang Arahang Putto Taw Waes Suwanno Na Mo Puttaaya.

Short kata:

Wae Sa Pu Sa.

 

Kata chants and biography of Taw Waes Suwan (Chai Sing HiaGuberan)

Maker: Luang Por Foo, Wat Bang Samak

Magical Effects: Maha lapgae aathanpong gan phuudt pisajklaew klaadmaha pokasapserm yot baramee

Material: Nuea nava loha (9 sacred alchemical metals), nuea tong rakang (sacred brass alloy), nuea samrit (sacred bronze alloy), nuea galai tong (sacred brass alloy with gold plating), nuea galai ngern (sacred silver alloy), sacred powders, 1 silver takrut

Recommended Uses: Improve lucky fortunes, protection against thieves and black magic, professional status, wealth attraction, accumulate collateral

Number of Amulets Made: 99 (ongk kroo); 999 (nuea nava loha); 1999 (nuea galai tong); 1999 (nuea galai ngern); 3999 (nuea tong rakang); and 3999 (nuea samrit)

Edition: Gae Pi Chong 2555 BE edition

 

View Taw Waes Suwan Gae Pi Chong Loi Ongk Statuette in 9 Sacred Metals with Powders & 1 Silver Takrut in Base here

View Taw Waes Suwan Gae Pi Chong Loi Ongk Statuette in Sacred Brass with Powders & 1 Silver Takrut in Base here

View Taw Waes Suwan Gae Pi Chong Loi Ongk Statuette in Sacred Bronze with Powders & 1 Silver Takrut in Base here

View Taw Waes Suwan Gae Pi Chong Loi Ongk Statuette in Gold Plated Sacred Brass with Powders in Base here

View Taw Waes Suwan Gae Pi Chong Loi Ongk Statuette in Sacred Silver with Powders in Base here

 

 

 

Taw Waes Suwan (Loi Ongk) Asura God Thai Buddhist Sacred Amulet – Nuea Samrit Chup Galai Tong Tae (Bronze with 22 Karat Gold Plating) ‘Run Sae Yid Choke Lap Foo’ 2552 BE Edition- Luang Por Foo 2552 BE

Taw Waes Suwan (Loi Ongk)

Released in the Internationally Acclaimed and Popular ‘Sae Yid Choke Lap Foo 2552 BE’ edition of Sacred Thai Buddhist Amulets from Luang Por Foo of Wat bang Samak. This Edition recieved National interest and Media Coverage, and was waited upon with Great expectancy.

Taw Waes Suwan (Loi Ongk)

Size; 3.5 Cm High x 1.5 Cm Wide

The amulet is made from a mix of Bronze Sacred Artifacts and Yantra Foils, smelted into the Chanuan Muan sarn. Sacred Powders are hidden within the interior of the statuette. This version in ‘Nuea Galai Tong Tae’, is covered in a Luxurious Coating of Pure Gold.

Taw Waes Suwan (Loi Ongk)

It was one of the Decades most Documented and Popular Editions, and all amulets in this Edition were officially cataloged and documented, making the a safe bet for collectors and connoisseurs as well as those who like to speculate with amulets that increase in value as time passes.

Taw Waes Suwan (Loi Ongk)

Luang Por Foo was the First Apprentice in Magic to Luang Por Ding, and is considered one of the Country’s most Prominent Gaeji Ajarn Guru Monks. This editions main aim was to increase Wealth and remove Obstacles, and Protect from Dark Magic.

Taw Waes Suwan (Loi Ongk)

The Authenticity Code of Wat Bang Samak is embossed on the base of the amulet

The Edition included a large range of Hanuman Amulets in various sacred Metals, some Palad Khik Dtua Kroo, Sethee Navagote (Nine Faced Buddha of Wealth), and these Taw Waes Suwan Asura God Amulets. The Taw Waes Suwan amulet was made in varous different materials including Nuea Tong Daeng, Samrit, Tong Rakang, Galai Tong Tae, and Sam Kasat (Bronze, Silver and Gold metals). They were made in Pim lek (small) and Pim Yai (large) sizes.

Taw Waes Suwan (Loi Ongk)

Comes in Original Temple Box – Can be Encased if Desired.

Kata Chants and the Story of Taw Waes Suwan

Taw Waes Suwan (Loi Ongk) – Nuea Samrit Chup Galai Tong Tae (Bronze with 22 Karat Gold Plating) 'Run Sae Yid Choke Lap Foo' 2552 BE Edition- Luang Por Foo 2552 BE
$58.00

Adtaanaadtiyaparitta (Kata Taw Waes Suwan)

Wibpassisa Na Madt-thu Jagkhumandtassa Siree Madto

May i offer reverence and Bucha to Pra Wipassee Putta Jao who has divine eyes

Sikhissabpi Namadt-thu Sappaphudtaanugambpino

May i offer reverence and Bucha to Pra Sikhee Putta Jao who watches over and protects all beings of the three worlds

Waessa Phussa Namadt-thu Nahaadtagassa Dtabpassino

May i offer reverence and Bucha to Pra  Waessa Putta jao who has removed all defilement from his heart through his great merits and efforts

Na Madt-thu Gagusandtassa Maarasenabp-bpamattino

May i offer reverence and Bucha to Pra Gagusanta Putta Jao who has beaten and devastaded the Maras and the armies of Mara

Gonaakamanassa Namadt-thu Praahmanassa Wuseemadto

May i offer reverence and Bucha to Pra Gonaa Komana Putta Jao, who has risen above all defilement, and who resides in the Brahmacaryas

Gassabpassa Namadt-thu Wibp-bpamudt-dtassa Sappati

May i offer reverence and Bucha to Pra Gassapa Putta Jao who has ascended above suffering and is a skilled Adept in all Dhammas

Ankeerasassa Namadt-thu Sakya Bpudtassa Siree Madto

May i offer reverence and Bucha to Pra Angkeerasa Putta Jao, the Splendorous Son of the Sakya tribe, who revealed the Dhamma to the world which is the ultimate tool for the removal of all suffering

Yo Imang Tamma Mataesaesi Sappa Tugkhaabanudhanang

The Self Enlightened one uncovered and taught the Dhamma, which is the greatest tool for the removal of suffering

Yae Jaabi Nippudtaa Logae Yathaa Pudtang Wibpassisung

Who are the ones who have annihilated all defilement and see the truth of the world which lies behind all veils of illusion

Dtae Chanaa Abpisunaa Mahandtaa Weedtasaarataa

These Buddhas are without any malice and are great ones who are free from falterings and instabilities

Hidtang Taewamanussanang Yang Namassandti Kodtamang

The Angels and Humans may revere and Bucha these Buddhas who are endowed with great Metta which they send to release the Devas and Humans in heaven and on the Earth from suffering.

Wichaa Jaranasambpannang Mahandtang Weedtasaaratang

They are full of Wisdom and Knowledge of the World, those Great ones who are free from instabilities

Wichaa Jaranasambpannang  Puttang Wantaama Kodtamandti

May i offer reverence and Bucha to Pra Putta Jao Kodtama Kodtara, who is Adept with Knowledge Wisdom and Grace.

The video below lets you hear the full version of Kata Taw Waes Suwan used in the famous ‘Suad Pan Yaks’ Ceremony to summon the Asura Kings, and beg their blessings.

[ad#fb-add-timeline]




This is a smaller statuette at 3.7 Centimeters high, making it suitable for ladies and children as well as men. This Taw Waes Suwan amulet is made from ancient magical iron cast, and empowered by Luang Phor Rueang Yot himself. Comes with waterproof casing included in price.

Waes Suwan amulet (statuette) by Luang Phor Rueang YosTao Wes Suwan

A very elegant and light amulet most suitable for Ladies or those wishing a smaller more discreet amulet, which still is endowed with immense power.

Kata Taw Waes Suwan (Chai Sing Hia, Guberan)



Pra Pirab Statue (Bhairab) with sacred powders , Tagrud, Pra Pirab Ruesi amulet and ‘Tian Chai’ candle inserted in the base. 6 inches wide base and 8.5 inches high. Made from Nuea Samrit (bronze). Pra Pirab is the Kroo Deity of all Dancing arts, and is the bestower of Luck and good Fortune, Happiness, Prosperity and ‘Amnaj’ (commanding power over others). The Amnaj quality if Pra Pirab extends even to ‘Amnaj Maha Sanaeh’, meaning the great power of charm over others. This works both in Love affairs as well as in business or other issues such as politics, to aid in convincing others of your opinions.

Pra Pirab is the Deva of giving or taking life, and has the power to remove any magic spells or dark magical influences. He protects and defends against Phuudt Phii and Bpisaat (ghosts, spirits and demons), and all kinds of evil magics.

Luang Phu Ka Long has a strange crystal tooth in the center of his mouth, which is exactly as described in the legend of Hanuman, who also is reputed to have had a crystal tooth in the roof of his mouth. Whenever he would bless amulets or magical items, he would often put his finger in his mouth and touch the crystal tooth and then take his finger down and rub it on the statue or amulet. He said that some people were born with special things, and that each person was different, and that this crystal tooth was his personal special quality and ability. Luang Phu never advertised himself but somehow from mouth to ear he ended up being flooded with requests for sak yant, amulets and magical assistance. Without intention, he became perhaps the most popular modern amulet makers of the Modern Era.

Luang Phu Ka Long has proved to be the phenomenon of the Decade as far as success with magic amulets is concerned. LP Ka Long amulets and Bucha items have revived immense success in every single edition, each amulet released has become an essential rarity in its own right. Since his passing away, his amulets have become ever rarer and are slowly disappearing. It wont be too long before almost all of them have gone, and only very expensive occasional options to acquire such an item will remain.

This Pra Pirab Bucha statue is the first ever edition made in 2550 BE and is now an extremely rare item to encounter already in the 4 years since it was made. The base has various sacred powders including Pong Pra Pirab (Pra Pirab powder), Tagrud spell, a Pra Pirab Ruesi amulet, and a sacred victory candle from empowerment ceremony.

rear face of Pirab Bucha statue

The immense Magical strength of Pra Pirab will cause any magic spells or other attempts to harm you be reflected back on those who send ill will to you. Those who try to harm you will end up being harmed by their own forceful energy.

Pra Pirab

Apart from Luang Phu Ka Longs personal fame through his own merits, it is said that once, in his younger days as he was present for a Puttapisek blessing in which the Great Luang Phu To of Wat Pradoo Chimplee (master maker of the Pid Ta LP To amulet) asked after the ceremony who the young skinny monk was over there? It turned out that it was Luang Phu Ka Long, and LP To remarked to the other high monks present; “how can it be such a young monk can have such psychic power in him i have never seen something like this before”?

Kata Bucha Pra Pirab

Imang Sajja Waajang Atithaami

Tudtiyambpi Imang Sajja Waajang Atithaami

Dtadtiyambpi Imang Sajja Waajang Atithaami

Puttang Ongk Pra Piraatang Khor Aehi Jong Maa

Tammang Ongk Pra Piraatang Khor Aehi Jong Maa

Sangkang Ongk Pra Piraatang Khor Aehi Jong Maa

Putto Sittirit Tammo Sittirit Sangko Sittirit Sukha Sukha Chayya Chayya Laapa Laapa Sappatammaanang Prasitti Mae Prasitti Dtae

Putto Sawasdee Mee Chai Tammo Sawasdee Mee Chai Sangko Sawasdee Mee Chai Badtidtang Surankandtang Atithaami

Kata Bucha Pra Pirab or other Yaksa (Asura)

Yaksa Sawarupa Chadaa Taraaya Bpinaag Hassadtaaya Sanaadtanaaya Tiwayaaya Taewaaya Tikampraaya Dtassamaiyakaaraaya Nama Sivaaya

How to Bucha Pra Pirab >>>>




[ad#subscribe]
[ad#likefb600]
[ad#join-affiliates]